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SirArtemis
07-15-10, 02:34 AM
I would like to post something I wrote, and it would be nice to get some general feedback. This is going to sound absurd but... judge it by the rubric if possible. This is something personal, but I'd like to see how something truly emotionally impactful for me influences the reader.

I ask because my writing often lacks emotion and imagery.


I want to paint a picture. This picture is from the view of a bartender. The bartender is looking at a customer who is sitting behind the counter, and this customer is me. I have my elbows on the counter, holding my head, and in front of me is a teacup. I have cracks through me, as if my entire body is shattered glass. To the left side of the painting is a table in the background with a couple having some elegant dinner, holding hands over the table. The woman is wearing a red dress. She has dirty blond curls. A man in a suit sits across from her, a candle burning behind them. A painting hangs over them of some beautiful beach sunset, perhaps a perfect honeymoon location. To the right side of the painting, a man is sitting, legs crossed, glasses, balding, a cat in his lap that he pets as he reads a book. A candle just like that of the couple glows on a small table beside him. Above him hangs a painting as well, this one being of some beautiful architecture. On his table is a single beer. On the couple’s table sits a bottle of wine. Next to me is a pot of tea. Holding my head, a tear in my eye is barely visible. A tear on the counter has frozen upon impact.

You have me sitting there in front of you, shattered and unsure of what to do, trying to understand life. Contemplating pursuing the absurdity of love that is happening on one side of my life, or accepting the cruel fate of being alone and becoming that lonely old man who has only the love of his cat; a cat who will die long before he does. Refusing to pick up the bottle to cope, I sit there, drinking my tea, my alternate addiction, convincing myself that “it’s not as bad.” Yet all the pieces that make up who I am, held in place by the stoppage of time, are ready to collapse. This alternate realm within my mind holds this image up to the light, before that very light turns into fire. Time starts again, the glass shatters, pieces fall to the ground, and my world catches alight. Everything ends, my decisions irrelevant, and the remnants of who I once was drift off into the wind. Little flecks of ash drifting away like bits of burnt paper, fading from existence, as another face in the crowd disappears, the only memory of them ever existing fading from the minds of those around them. The world shatters, the cracking of glass reverberating through the minds of every living creature, and everything collapses into nothingness. Time stops, and everyone is where I was, taking a brief moment to register who they are, who they were, and who they will be.

The answer becomes frighteningly simple. Who we are… is a choice.

Knave
07-17-10, 05:20 PM
Well, you're asking for it, and it don't look like much else is popping right now. I'll make my comments, I'll stick to the rubric, but I'm not grading you


STORY

Continuity (10) ~ I'm not going to lie, I know nothing about you. Which I suppose is actually pretty good, as I am only working on _ the words before me. I could talk about the you I experience in this single post, Now your actual place in this picture, and the mention of cracks tells me your alone and in obvious pain. Your posture as stated is indicative of all this, and your choice of drink shows you either aren't old enough to drink your sorrows under the table, or are simply too soft a person as to know how. This is of course in keeping with everything has something to say about you. Also, you don't do anything with the old man, he is simply there, which doesn't really deserve its own sentence, more something you throw in to spice up one of the other ones and maybe have some passing, borderline interaction such as a glance. But that’s pretty much the rest of my report.

Setting (10) ~ Everything you wanted is laid out before me, your reader, and I have only to ask for the things that might have been forgotten, such as the location of light and the obvious prevalence of darkness as it spreads from the shadows of these love birds. Much like continuity, there is no history. Its simply a bar, and there are simply a few people within it. Each of the props is in position. The table is before you, the old man is there for you to compare yourself too what you assume is a dark future, the love birds are there to drive your mood into a hole it might crawl into. I say props for a reason and I'll get to that in a second.

The only thing that’s not very clear is the history. Beyond the loss of love to a fancier dressed man I know nothing about you. This fancier dressed man has no definition, I am left to think simply looks better and has more money than you or, barring any wild judgment, you cannot/will not fathom how he stole her from you and simply look on. I say this because I view the history of everyone as part of the setting as well as the establishment. Everyone here is a prop, they have some features, are arranged in a way to give a single idea, and are given nothing beyond notice. This picture is rather flat.

Pacing (10) ~ I cannot complain. Its obviously a thoughtful piece, so the time spent understanding each item while awkward in the first paragraph, is rather well justified in the second paragraph as things start to move on and their importance is made clear. The tea I had originally thought you rather weak for trying to drown your sorrows in, its the drink not you, you acknowledged, which made it clear your more interested in feeling pain than accepting it. The bartender is your witness. And everyone else is merely a step on what looks like a downward spiral. I'm satisfied in the length of the statements, they were what they need to be.

CHARACTER ~

Dialogue (10) ~ There were no words. Given that the bartender is watching you, clearly concerned, or ready for you to go home, strikes me as something which aught to be vocalized either way. But, this isn't a piece for talking. All words would have been a push toward the door or a lighter mood, which in this picture would be out of place.

Action (10) ~ No actions are taken, lots of thought, but no actual step beyond more tea. I approve. Makes me wonder if not doing anything constructive led to this situation.

Persona (10) ~ The you I see here is defeated. There is no chance for salvaging this relationship because this character doesn't even hold that idea in his mind. He drinks because that action is easy, and thinks because that seems to be largely what he does.


WRITING STYLE ~*

Technique (10) ~ Now, as crazy people have shown, there is symbolism and undertones in everything. I'm no master of tricks and illusion, I didn't see much that wasn't stated. What I did see was that at the end of the second paragraph where clearly the tea has finally beaten the man, there was total loss to reality, a seeming loss of consciousness. I can applaud the way it was executed.

Mechanics (10) ~ Nope, all plain English to me. What subtext there was, was understood or completely unseen.

Clarity (10) ~ The bartender observes you, I am the bartender, how am I supposed to understand you. The point of view here is that I am a bartender watching you drink yourself unconscious with something that has a lower alcohol level than my sponge. Yet I am inside your mind, I know what you are thinking, I... understand you, and we have never spoken a word beyond the obvious, “Tea, please!” The frame for this picture is wrong when my pov is not in the first person. The moment I ask, “How do I know what he is thinking.” the story doesn't match up like it did before I said anything.

"Time stops, and everyone is where I was, taking a brief moment to register who they are, who they were, and who they will be."

Is that, "where I was" as typo, or does everyone suddenly understand you.

Wild Card (10) ~ The glass falling, the trippy bit at the end where the existential epiphany strikes would have been much more interesting if you had followed through with the seen. I personally see him splayed out behind his stool covered in glass, tea, and self-pity.

What did I feel? Personally feel? Well, I already understood the epiphany, so no surprise. Its something we're all told as children. So I take for granted what sent the You here into shock. If I felt anything for the character, it was dislike, because he doesn't like himself here.

SirArtemis
07-18-10, 01:50 AM
ah it was a pleasure to see such a thorough response. Since you took the time, I'll take some time to clear up some points for you and hopefully bring you some further understanding. I'll try to hit all the points.

1) The basic thing I have to point out is that this really wasn't written for Althanas, obviously. It was a blog post of mine to describe how I was feeling.

2) The tea is my drink of choice. It settles me, but I refuse to revert to alcohol as a means to cope. I am old enough. In fact, I'll be 22 on Monday.

3) The view from the bartender is not to imply that you ARE the bartender, it's simply a painting, and I have to give a reference point from where you are viewing it.

4) The two parts on the side are both me, but possible outcomes. The couple is the possible outcome if I choose to pursue love and find myself successful at some point. The old man is if I give up now and admit defeat, ending up a sorry old man. I am not currently in a relationship or salvaging any relationship. I think when I wrote this, the woman I started seeing had already decided she wanted to just be friends.

5) The point where I say everyone is where I was, it is a moment of suspension where everything shatters, but does not yet all apart, but pauses in time and letting you observe everything the moment before it falls apart.

6) When everything shatters in my painting, imagine... complete emptiness, where everything is white, and the only color is the colorful shards of glass scattered on the ground.

If I missed any points, let me know.

Break the silence
07-22-10, 09:36 AM
I ask because my writing often lacks emotion and imagery.

Then this is an exceptional piece for you, I thoroughly enjoyed reading this piece, and I wish I could write like this.