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Lavinian Pride
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Ashiakin
Storm Veritas
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Chelsi)

It was the greatest moment of Mendan Kinnity's life.

For the young dramaturge, hosting The Cell was the culmination of two decades of hard work, a symbol of his transformation from a sickly child of privilege to a well-muscled, handsome young poet, arguably the greatest of his young generation thus far.

Twenty years ago Kinnity had fled from his ancestral home on the outskirts of Radasanth, upset over the prolonged physical abuse he suffered at the hands of Cantinil, the longtime elf servant of his family. Wandering the streets of the great city, he came across a man promising tales of magic circlets and dragons, tales of bravery and boasting. After searching through his pockets, the boy produced a coin he had stolen from his home, and was admitted into the theater. There, like the rest of the audience around him, the impressionable Mendan was transfixed by the tale of a knight, who, instead of training for a tournament he had entered, spent his time bragging about what he saw as his guaranteed victory. The knight, of course, was slain in the first round.

When the story had ended, the audience left the theater satistifed - everyone, that is, but Mendan Kinnity. The boy stood frozen in one spot until Dalo Smaith, the owner of The Swift Hart, saw him there standing alone. When the old man asked the boy what he wanted, Mendan replied that he wished to tell stories like the one he had just heard, an answer which caused Smaith to laugh aloud. Smaith told the boy to go home, but when Mendan lied and said he had no home and no family, Smaith grew concerned and offered to let the boy spend the night in the actors' quarters.

One night turned to two, three, and then a week. Smaith, having married his craft at a young age himself, noticed that the boy was boosting the morale of his troupe and eventualy took Mendan as his own son, training him to be both an actor and a poet. Because Smaith's plays often involved mock battles, Mendan also learned how to handle a blade, hardening his body in the process. And when Smaith died fifteen years later, there was no doubt that Mendan should be the one who took control of the theater, and indeed he did, boosting the size of his audiences with his historical plays, violent melodramas the likes of which had never before been seen on the Radasanthian stage.

So when Mendan had heard that The Cell had no promoted this year, the playwright decided he would organize the event himself, hoping to spread awareness of his work in the theater. He had spent The Swift Hart's entire treasury in promoting the tournament, but no man knew what the people of Radasanth wanted better than Mendan Kinnity, and it was therefore no surprise when all four amphitheaters hosting the tournament sold out. If all went well, the theater would see its investment returned tenfold.

With the crowd anxious in their seats and the warriors locked inside the cage, Mendan rose from his balcony seat high up in one of the ampitheaters, dressed merely in the simple colored tunic and trousers of an actor. With his booming stage voice, the young playwright made his first of five speeches that day.

“Friends, welcome to The Cell,” he said, bowing and pausing for a minute to allow the crowd its applaud. “My name is Mendan Kinnity, and I am the director of The Swift Hart Theater. I wish to thank you, the unified people of Radasanth, for coming out this day, and for making this tournament the largest gathering of citizens ever for an event outside the city’s gates. Today we will see competitors from all over Althanas, men from as far as Salvar and men from exotic Fallien, competing with one another in a steel cell for fame, wealth, and most importantly, for honor. These men deserve your respect and your adulation for risking their lives today, and I have little doubt that the fine folk of Radasanth will give that to them. To the competitors I have only one message: mercy is shown in life to those who act merciful towards others. Victory need not come at the expense of another man’s life – there is equal honor in accepting a yield from a broken and battered opponent. But as wiser men than I have said, ‘Words find glory only in partnership with deeds,’ so let The Cell begin!”